‘The transgressive theatre of Romeo Castellucci.’
In: The great European stage directors: Bausch, Castellucci, Fabre. Eds. L. Van den Dries & Timmy De Laet. Londen: Methuen Drama, 2018, p. 119-143
English
Postdramatic methods of adaptation
‘Postdramatic methods of adaptation in the age of digital collaborative writing.’
Samen met Edith Cassiers.
Digital Scholarship in the Humanities 32.1 (2017): 17–35
Tracing creation
‘Tracing creation: The director’s notebook as genetic document of the postdramatic creative process.’
Samen met Frederik Le Roy, Edith Cassiers, en Luk Van den Dries.
Contemporary Theatre Review 26.4 (2016): 468–484
The Reception of Greek Drama in Belgium and the Netherlands
‘The Reception of Greek Drama in Belgium and the Netherlands.’
A Handbook to the Reception of Greek Drama. Ed. Betine Van Zyl Smit. London: Wiley-Blackwell, 2016. 283–303.
The Document as Event: Assessing the Value of Digital Collections for Theatrical Heritage
‘The Document as Event: Assessing the Value of Digital Collections of Theatrical Heritage.’
Theatrical Heritage: Challenges and Opportunities. Eds. Forment, Bruno; Stalpaert, Christel. Leuven: Leuven University Press, 2015. 195–205.
Digitizing Artist Periodicals
‘Digitizing Artist Periodicals: New Methodologies from the Digital Humanities for Analyzing Artist Networks.’
Art Libraries Journal 39.4 (2014): 6–11.
Mass Theatre in Interwar Europe
In many European countries mass theatre was a widespread expression of ‘community art’, which became increasingly popular shortly before the First World War. From Max Reinhardt’s lavish open-air spectacles to socialist workers’ Laienspiel (lay theatre), theatre visionaries focused on ever larger groups for entertainment as well as political agitation.
Despite wide research on the Soviet and German cases, examples from the Low Countries have hardly been examined. However, mass plays in Flanders and the Netherlands had a distinctive character, displaying an ideological heterogeneity not seen elsewhere. Mass Theatre in Interwar Europe studies this peculiar phenomenon of the Low Countries in its European context and sheds light on the broader framework of mass movements in the interwar period.
Editors: Thomas Crombez (Royal Academy of Fine Arts, Antwerp) and Luk Van den Dries (University of Antwerp)
Contributors: Staf Vos (Het Firmament), Karel Vanhaesebrouck (Université Libre de Bruxelles/Rits), Evelien Jonckheere (Ghent University), Ad van der Logt (Leiden University), Frank Peeters (University of Antwerp)
Canonisation in Contemporary Theatre Criticism
‘Canonisation in Contemporary Theatre Criticism: A Frequency Analysis of ‘Flemish Wave’ Directors in the Pages of Etcetera.’
Contemporary Theatre Review 24:2 (2014): 252-261
Mapping a Landscape of Texts
‘Mapping a Landscape of Texts.’
Performance Research 17.3 (2012): 120-124
Cross-Genre Authorship Verification Using Unmasking
‘Cross-Genre Authorship Verification Using Unmasking.’ With Mike Kestemont, Kim Luyckx, Walter Daelemans.
English Studies. 93.3 (2012): 340-356
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