The Locus of Tragedy


Edited by Arthur Cools, Thomas Crombez, Rosa Slegers and Johan Taels. Leiden: Brill, 2008. Studies in Contemporary Phenomenology, vol. 1.


Ask for the tragic and Europe will answer.

Leaving behind the philosophers’ enthusiasm of the nineteenth century, ‘tragedy’ and ‘the tragic’ now seem little more than vague containers. However, it appears that we still discover a tragic essence in our personal lives. Time and again tragedy is being registered, written down and staged.

This book wants to open a contemporary philosophical perspective on the tragic. What is the locus of tragedy? Does it relate to metaphysics, the gods, destiny, and chance? Or is it a matter of ethics, of the Law and its transgression? Does man himself occupy the locus of tragedy, because of his unreasonable and boundless desires, as many philosophers have suggested? Is man today still able to account for his tragic condition? Or do we locate the tragic first and foremost in the esthetic imagination? Is not the theatrical genre of tragedy the locus authenticus of all things tragic? Is there more to the tragic than drama and play?

Thomas Crombez, ‘Tragedy, Community Art, and Musikorgiasmus: Examining the language of Nietzsches’s Die Geburt der Tragödie’



The Sovereign Disappears in the Voting Booth


‘The Sovereign Disappears in the Voting Booth: Carl Schmitt and Martin Heidegger on Sovereignty and (Perhaps) Governmentality.’

Anti-Democratic Thought. Ed. E. Kofmel. Exeter: Imprint Academic, 2008. 101-121


Ik ben het die Artaud zal spelen

ikbenhetdieartaud_000‘Ik ben het die Artaud zal spelen: Waanzin, toneel en de behoefte aan gestoorde genieën.’

Etcetera 26.113: 9-15



Corpus Toneelkritiek Interbellum

ctiCorpus Toneelkritiek Interbellum aims to collect a large corpus of documents from Flemish inter-war theatre (500+ documents; 1,000,000+ words). It consists of reviews and other short texts on theatre (such as essays and lectures), coming from diverse sources (newspapers, specialized theatre journals, and book collections of reviews).

Some well-known critics of the Flemish interbellum period will be strongly represented in the corpus, such as Willem Putman, Lode Monteyne, and Victor J. Brunclair.

The source publications of the corpus include periodicals such as Hooger Leven, Het Vlaamsche Land, Averbode’s Weekblad, Ons Volk Ontwaakt, De Ploeg, Tooneelgids (1921-1940), Tooneelleven (1934-1944), Pogen, Het Tooneel (1915-1940), Pelgrim, Het Vlaamsche Land, Jong Dietschland (1927-1933), and Ruimte.


De Werkgroep Vormingstheater van de VUB (1977-1986)

vubvorming_000‘De Werkgroep Vormingstheater van de VUB (1977-1986): Een theaterdiscours geanalyseerd via woordfrequenties’

Documenta 26.2-3 (2008): 127-144



The Dismembered Body in Antonin Artaud’s Surrealist Plays

dismemberedbody_000‘The Dismembered Body in Antonin Artaud’s Surrealist Plays.’

Dismemberment in Drama / Dismemberment of Drama. Red. Lance Norman. Newcastle: Cambridge Scholars Press, 2008. 27-43



Het antitheater van Antonin Artaud (Academia Press, 2008)

Het boek op basis van mijn proefschrift is verschenen bij Academia Press in de (peer reviewed) Ginkgo-reeks:

Het antitheater van Antonin Artaud

Een onderzoek naar de veralgemeende artistieke transgressie
Toegepast op het werk van Romeo Castellucci en de Socìetas Raffaello Sanzio

(Cover:Tragedia Endogonidia, B.#03 Berlin, Photo by Luca Del Pia, Design EHBOntwerp)



Van hybridisering naar performance

‘Van hybridisering naar performance: Een interview met Bart De Baere over de visie van het MuHKA’

BAM-dossier Beeldende Kunst en Podiumkunsten




‘Mimétisme: Een interview met Anselm Franke over hybridisering’

(H)ART 32 (2008)



Het vertrouwde met een wrong eraan: Een gesprek met Ivo Kuyl en Guy Dermul

Rekto:Verso 27 (2008)